Showing posts with label Cathryn Hein. Show all posts
Showing posts with label Cathryn Hein. Show all posts

Saturday, 15 September 2012

Rural Panel: What Makes Rural Romance?

In August, I attended the RWA Diamonds are Forever Conference. It was one of the most exciting, nerve-racking four days I've ever experienced and one were Rural Romance was given a voice in the Diamonds in Dust Panel. It was great to share opinions and ideas, but one question really showed just how subjective Rural Romance is.

Rural Romance is a relatively young genre, but I believe it has hit the shelves with a bang. New authors are imerging and the genre is growing. And every story, is unique. Different opinions, new voices and yet they are all connected by something.

So, I just wanted to ask our authors, what is it about Rural life that inspires you to write RuRo? And what makes are Rural romance to you?

For me, it's the characters. It's old mate sitting out the front of the post office with his scruffy dog at his feet. It's battered hats, quirky senses of humour and tales that go for days. It's strong, passionate individuals who are fighting for something or against something. When I pick up a rural novel, I want to read and find the people I have met IN these novels. And I want to make a few more friends. That's what Rural Romance is for me.


Now for what everyone else has to say...

First up, we have author, Jenn J Mcleod (whose debut novel, 'House For All Seasons' is out next year). Jenn had this to say about what inspired her to write about Rural life:

'Country living to me is about the sound of silence. (With respect to Simon & Garfunkel!)
There is a crispness to the country, and I’m not referring solely to a what we see and feel. It’s the sharp silences, the stillness, what we hear--or don’t hear without the whirr of white noise that comes with city living.
That’s my kind of country.'


And how right she is. If you have never lived in the city, you might not understand this. But for me, a country girl at heart stuck in the city, this silence really is a sound. Not a lack of it.

For the Author of The Road Home, Fiona Palmer:

'Rural life for me is the close knit community full to the brim of bush characters that all have their own quirks. Yet we all live together, tolerating and supporting each other as a community wouldn't survive otherwise.'

Whilst Fleur McDonald doesn't write Rural Romance, but Rural literature, Fleur understands the impact rural life has had on the stories she writes. And on the world she lives in.

Farmers feed everyone and to me, it's the most important job in the world. That is what makes me passionate about writing Rural Lit. I simply love sharing my world with people who don't have the opportunity live it.

You all know the saying: If you ate today, thank a Farmer.

For Loretta Hill, whose fabulous novel 'The Girl in the Steel-capped Boots' has had great success in today's market, she had this to say about what makes a rural romance for her:

'Three things make a rural romance for me. Firstly, a strong, capable female lead. I think what attracts readers most to Rural romance are the feisty heroines who are often not just falling in love but also testing the limits of their own capabilities. These heroines don’t need the hero to triumph at the end of the story but he certainly makes the journey more interesting. I love the fact that rural romance heroines are often thrown out of their depth or put in situations which test them emotionally and sometimes physically to the limit. And yet they rise up and meet the challenges. The second thing, I believe makes a rural romance is of course the setting, not necessarily a farm but definitely not urban. Both books I have written for the Random House are set on the Pilbara on construction sites. I think it’s important that the setting is almost like another character in the book - that it interacts with the heroine as much as the hero does. And last but not least, I think the strong sense of community in rural romance is a big draw card in this genre. Rural romances always contain strong relationships. Not just between the hero and heroine but often between family, comrades, work mates, local townspeople or other farmers etc. They are the kind of relationships that are harder to find in big cities where people sometimes don’t even know their neighbours. I think readers really love that sense of “family” in small towns or workplace communities where everybody looks out for each other. There are many other great aspects of rural romances that I love but these are definitely the top three.'

Strong Heroines are my favourite. I love sarcasm and they all wear it well.

For Penguin Author Cathryn Hein (author of Heart of the Valley):

Besides a well-developed rural setting, I like my rural romances to feature characters who are passionate about the land and country life. They don’t necessarily have to be from the land, but it’s important that they feel a deep connection, so much so that the land becomes intrinsic to their happiness. Take them away and they’ll survive well enough – they are, after all, resourceful sorts - but their world won’t turn quite right. Return them to the place they love most and, despite suffering hardships and traumas (because where is the fun without those to test our hero’s or heroine’s mettle), the characters find home and a place that fills their hearts.

It also doesn’t hurt to have a broad-shouldered hero who looks damn sexy in a pair of moleskins!

We do love our broad-shouldered men haha.

Next in line we have Jennifer Scoullar, whose novel Brumby's Run was released in July. This is what Jennifer had to say:

A rural romance, like any other, requires a passionate love story. But it also requires much more. For me, a good rural romance is anchored in an equally passionate love story with the land. Rich, natural settings set these books apart. Australian readers find independent, tough-minded women coexisting with the land more appealing than the self-absorbed shopaholics who dominate chick-lit. The characters in rural stories are strong women who are not desperate for a new man.
Australia’s native flora and fauna are my main influences, together with wild landscapes. These are powerful settings. In cities, many people live lives so far removed from nature, that they rarely even touch the earth. But at what cost? The cost to our declining environment? The cost to our hearts? I think the world is hungry to re-engage with nature, to ground itself. Rural lit taps into this vein. The wildly successful movie Avatar did the same thing. Losing touch with wildness is losing touch with ourselves.


As a city dweller, I understand exactly what you're saying. As a country girl at heart, the best part of my day is walking to feed my horse who lives just down the road from me. It's 7am, the air is cool and the gums tree look magnificent against the sunrise. Some, don't understand the contentment I feel during that ten minute walk. Others, understand completely.

Breathless Publishing author, Ann B Harrison has just release her novel 'Taming the Outback' and today she will be sharing what influenced her to write a Rural Romance:

Apart from growing up a country girl quite simply the struggle my characters go through and how they come out the other end.
I like to pit them against their greatest fears and see how they cope. Life on the land is hard enough as it is but adding the emotional aspect can only makes the story better. It drags me in as a writer and I hope it does the same for my readers.
With my first book Taming the Outback I took a widow with an unruly teenager and a little lost girl and threw her the challenge of taking on two stations at a profit or risk losing it to the guy next door. That was enough of an incentive for Libby to pull out all the stops and show us what she was made of.
 
Well said Ann. :)

And last but not least, we have Jennie Jones. Jennie is unpublished, but has recently finalled in the Rebecca!

I didn’t set out with the intent of focussing on Rural Romance, but as I write, my characters are finding themselves in small town country environments where they fall in love, so my stories are turning out to be rural and romantic. The country image is of space, freedom and fresh air; a chance to start again perhaps. My characters might be building something, finding something, saving something or running from something. Of course, their dreams don’t come easily because living in the country is hard. There are a whole new set of rules. My little towns are fictional, but the areas I set them in are mapped on Google, and although I want readers to feel that they recognise the settings I also love to add a bucket of make-believe to the atmosphere and quirkiness of my towns and my characters.
 
A Rural novel isn't the same without its quirky characters!

So there you have it. What makes a rural romance. And what it is about Rural life that inspires these great tales.

I'd like to thank all the women who participated in this post. It was really interesting and I'd love to have you all back at the blog soon.

If you're a Rural Romance lover and would like to find out more about these wonderful authors, just click on their names and you will find their websites. The Rural Romance Writers and Reader's group on facebook is also a great place to get to know these authors, and discover many more.

Thanks for stopping by. I hope you enjoyed this post.
Whitney

Saturday, 30 June 2012

A Month Of Rural Romance Writers: Double Weekend: Cathryn Hein

Welcome everyone to my final interview with some of Australia's up-and-rising Rural Romance writers. My last interviewee is the lovely Cathyrn Hein. She's a Penguin author and will be sharing her experiences as a published author with us today. Welcome Cathryn.




Hi everyone and thanks, Whitney, for inviting me on your blog. I’m delighted to be here.



I'd delighted to have you here. :) So Cathryn, first things first, tell us a little bit about yourself and your current release?



I was brought up in Mt Gambier, in South Australia’s rural south east, and was fortunate enough to have had an idyllic childhood dominated by horse mania. Post school I studied agriculture at Roseworthy College, followed by several years working in the pasture and turf seed industries in Victoria and NSW. These days I write rural-set romance for Penguin and have two books out – Promises, which released in September last year, and Heart of the Valley, which came out in May of this year. I’m currently working madly on the next, and all going well we should see that hit the shelves sometime around May next year.



Heart of the Valley is my tribute to the magnificent NSW Hunter Valley, a place I fell in love with during my pasture seed days when I worked in the area.



It tells the story of Brooke Kingston, a talented equestrienne whose world is turned upside-down after a terrible accident. When her well-meaning family, desperate to get her to Sydney so they can take care of her, hire a farm manager to take over her beloved property she digs in her spurs and refuses to leave. But Lachie Cambridge proves more than a match for Brooke...



Due to his job, my partner and I move around quite a bit, and this lifestyle has had a great affect on my concept of home. For me it’s wherever Jim is. For others home will always be a place. Heart of the Valley explores this theme. Is home a place or is it where your heart lies?






Wow. I just checked my book case because I thought I had 'Heart of The Valley' (Please understand, I don't have time to read at the moment) and guess what? You just sold a book hahah. It sounds fantastic. I'm a horse lover myself and this book sounds like my kind of book. Wishing you all the best with your new project, Cathryn.

Now tell me, how did you start out as a writer? Did you have a critic partner or an editor? Have you always written romance?



I’ve definitely always written romance – except for a period in my adolescence when I wrote a series of bizarre short stories involving cockroaches and all sorts of weird things. As for full length novels, I tried many times to complete one over the years but always struggled to make it past the 10,000 word mark. Between work, study and making sure my other half felt appreciated, I just couldn’t find the momentum to keep going. Only when my partner and I moved overseas and I had to give up work did I realise it was now or never. So I knuckled down and wrote a book. After that first book high there was no stopping me!



I’m fortunate to have critique partners and editors I can bounce ideas off.  I’d be hopeless without my crit partners though. They’re amazing support and it’s wonderful to be able to share the highs and lows with people who understand what you’re going through.



It always happens with a push. :) Critique Partners are special people and sometimes it can take a while to find the right one. I'm glad you've found yours :)

What is your favourite part of creating 'the novel'?              



The End! There is nothing quite like that ‘I’ve just finished a 100,000 word novel’ high. It’s seriously addictive.



I also love the opening three or four chapters. It’s an exciting time, full of possibility because you’re about to go on this wonderful journey. And I also adore black moments, when tragedy or disaster strikes. Bawling my eyes out while writing is weirdly satisfying!


Hahaha. Couldn't agree with you more. I've had a lot of author friends celebrating 'The End' of late. It seems to be a favourite. I like the first few chapters as well. :) It's where it all unfolds and you like your reader get to know the characters and what makes them tick.

So when was your first novel contracted? And can you tell us about 'the call'?



Promises was contracted by Penguin Australia just after the Romance Writers of Australia conference in 2010. I’d sent off three chapters of a different novel earlier in the year and, knowing how long these things take, carried on writing. Then in early August I received an email saying that manuscript wasn’t for them. Realising Promises might be more what they were after, I wrote back pitching that book. From that point on things moved pretty swiftly, with a partial being requested followed by the full manuscript almost immediately afterward. I then met editors Ali Watts and Belinda Byrne at the RWA conference and had a chat about my writing and publishing experiences. By the end of September I had an agent and a two book deal. It was, to put it mildly, an exciting, heart in the mouth ride!


I can only imagine and hope to share that same experience one day soon :)
Now the nitty gritty. What do you find hardest about the publishing experience (e.g. the editing process, the wait between  receiving feedback etc)?



Waiting to hear back about a manuscript is a bit nail-biting. I might think the book is marvellous but whether my editor and her colleagues will think the same is another matter. I’d also rank waiting for edits pretty high on the list because I always imagine they’re going to be huuuuge and make me want to crouch sobbing in a corner with my arms wrapped around my head wishing they’d just disappear. They’re never that bad, of course. I simply imagine them that way!


The mind of a writers has a way of dramatising this, wouldn't you agree lol. The Wait is definately a bother isn't it. Time seems to always been the enemy.
Cathryn, what tips do you have for all us aspiring romance writer out there?



Write. Don’t fart around. Write. Because the more you write the better you get. You’ll be stunned at how much better your second and third books will be compared to the first.



Take the time to learn your craft. Writing isn’t easy – it’s very hard work and like any profession you need to hone your skills.



Always remember that everyone has a different process. There is no right or wrong way to do this. Some people are intricate plotters, nailing every tiny aspect of the book before they write a single word. Others are more organic and follow wherever their characters lead them. Some people write extremely rough first drafts then polish like crazy. Others – me included – can’t write another word until a chapter or scene is absolutely perfect. Whichever way you work, make sure you understand it because once you’re published you’ll have deadlines. So knowing your process - how long it takes to write and edit your work - is vital.



Find good critique partners. They are treasures you can’t do without. Not only for their feedback on your work, but for their understanding and support during the dark times. And believe me, there will be dark times.



Join the Romance Writers of Australia. This is an extraordinary organisation. With them you’ll find information, education and amazing support. And incredible friendships!


Excellent advice and all of it I can agree with. So there you have it everyone, my interview with the wonderful Cathryn Hein. Cathryn, its been a pleasure to have you and I can't wait to find some time to read your books. Might have to find you at the conference and get you to sign it too. :)

If you would like to know more about Cathryn and her books please visit her website. You can also connect via Facebook and Twitter.